Pica Amalia

Amalia Pica è nata nel 1978 a Neuquén, in Argentina. Dopo la formazione all’Instituto Universitario Nacional del Arte e all’Escuela Nacional de Bellas Artes P.P. (I.U.N.A.), entrambe a Buenos Aires, si trasferisce in Europa per studiare alla Rijksakademie van Beeldende Kunsten di Amsterdam, in Olanda. Attualmente vive e lavora a Londra. Il suo lavoro è stato presentato in istituzioni pubbliche e private in tutto il mondo.
Tra le mostre personali più significative si segnala: Quasi, Fondazione Memmo, Roma (2022); Accumulations and Overlaps, Tanya Bonakdar, Los Angeles; Pisapapeles, Proyectos Ultravioleta, Guatemala City (2021); Round Table (and other forms), Museum Haus Konstruktiv in Zurich (2020); ACCA Sevilla; While inside, Herald St, London (2019); please open hurry, PICA, Perth, and IMA, Brisbane; (un)heard, Cc Foundation, Shanghai (2018); ears to speak of, The Power Plant, Toronto (2017); A ∩ B ∩ C (line), Van Abbemuseum, Eindhoven (2014); Amalia Pica en el MNBA, National Museum of Fine Arts, Neuquén; MCA, Chicago (2013); Amalia Pica, Chisenhale Gallery, Londra; For Shower Singers, Modern Art Oxford; Chronic Listeners, Kunsthalle San Gallo (2012); babble, blabber, chatter, gibber, jabber, patter, prattle, rattle, yammer, yada yada yada, Malmö Konsthall, Malmö (2010).
Tra le collettive a cui ha preso parte: Fly me to the Moon. The Moon landing: 50 years on, Museum of Modern Art Salzburg e Kunsthaus Zürich; After Leaving | Before Arriving, 12a Biennale di Kaunas; The Stage Is Yours, Museum of Contemporary Art Kiasma, Helsinki, Finland (2019); 12a Biennale di Shanghai, Power Station of Art, Shanghai; Monuments to Us, Museum of Fine Arts, Boston; Stories of Almost Everyone, Hammer Museum, Los Angeles (2018); Soundtracks, MoMA, San Francisco; The String Traveller, S.M.A.K., Ghent; Drawing Biennial 2017, The Drawing Room, Londra; Asamble (performance), Solomon R. Guggenheim Museum, New York (2017); Manifesta 11, Zurigo; Gwangju Biennale (2016); Expanding the Field of Play, Centre Pompidou, Parigi; Adventures of the Black Square, Whitechapel Gallery, Londra (2015); Ruins in Reverse, Tate Modern Project Space, London; When Attitudes Became Form Became Attitudes, Museum of Contemporary Art Detroit, Detroit (2013); On Apology, CCA Wattis Institute for Contemporary Arts, San Francisco (2012); The Ungovernables, New Museum, New York (2012); ILLUMInations, 54. Mostra Internazionale d'Arte - La Biennale di Venezia (2011).
Le sue opere sono parte di collezioni di musei e fondazioni quali: Tate, Londra; Guggenheim, New York; Museum of Contemporary Art, Chicago; Stedelijk Museum, Amsterdam; Fundação De Serralves, Porto; MFA, Boston.